shoot 4

Shoot 4

For this shoot, I am going to create images in the style of tomas maly. to do this I am going to take photos of different objects and the shadows of other objects that relate in some way to the object being held. This could be something like a banana or someone making the shape of a gun with their fingers, against the shadow of an actual gun. I am then going to superimpose them into the same image and position them in a way that makes the viewer believe that the shadow is of the object in the foreground.

Research influence

For this shoot, my research influence will be Tomas Maly.  unfortunately, I was unable to find much information on this photographer apart from, he belongs to a website called getty images, which is a website for royalty free images. I found the image through a website showing different forms of shadow photography, and his piece is one that stood out.

Here is an example of his work

In this photo, there is the chess piece of a knight in the foreground, with the shadow of a rearing horse with wings behind it. This photo could reflect what the chess piece represents in the game and how it is supposed to defend the king. When a horse is on its hind legs, it usually means it is attacking or scaring off an enemy. In this image, this shadow could be used to represent the loyalty of the piece and how it is supposed to be used as a line of defence against the opposing players pieces. I like this image because it uses a shadow to represent a deeper meaning behind the pieces in a chess game and how they are used to defend each players king.

 contact sheets

images that require improvement 

I chose this photo because it is incredibly blurred, and you can see the area behind the white card I used as a background. This was because the room I was shooting in was completely dark apart from the torch I was using as a light source. I also struggled to keep my arm still, which meant the movement was visible in the shot. If I were to take this photo again, I would focus more on the framing and keeping my arm still to reduce the motion blur. I would also try to press the shutter lightly or ask for assistance from a family picture to take the picture and hold the torch.

I chose this photo because it was also one of the most blurred and out of focus from the shoot. Although I do like the photo, for the purpose of the shoot, I was unable to use it, as I needed a clear image I could select and superimpose into another. The reason this shot was so blurred, was because the room was completely dark, apart from the lighter flame which meant the photo had a high chance of being blurred with the slightest bit of movement. To correct this, the photos taken after this in the shoot were lit with the torch, because it was faint enough to still show the flame from the lighter. I didn’t use a particularly high ISO, because I wanted to avoid the photos being grainy and be as sharp as possible.

best images

I chose these photos because they were the sharpest ones from the shoot, and were the most suitable for use when editing, as I needed a sharp outline so that I could select them in Photoshop neatly.

refining my work

When editing these photos, the biggest struggle was trying to superimpose one image into another file, because Photoshop wouldn’t allow me to use copy and paste. After trying different methods, I finally managed to do it by dragging the selected part of the image onto the tab of the other file. This then allowed me to drop the photo onto the background and manipulate it so that it fit the proportions of the other image.

To create the images, I started my using the magnetic lasso tool to select the area of the shadow, and then dragged it using the move tool, and dropped it into a new file I had created as a background to superimpose the shadow and other object into. I then used Ctrl T to move the images and adjust the orientation of each so that the shadow looked like it belonged to the object in front. I then created a black and white layer before flattening the image so that I could edit it as one image. Lastly, I used the dodge, burn, gradient and paintbrush tools to blend the images together and make them look like they belong in the same photo.

Final outcomes

This shows a hand making a gun sign wit the shadow of a pistol. This was the original concept I wanted to explore and the most effective one from the shoot.

Evaluation

Overall, I believe this shoot went well. I like the way that the images worked and the concept behind each one. The most effective one from the shoot was the finger gun image. I think this was because it was edited more simply than the other images. The simplicity meant the photo was clearer and easier to understand. The concept behind the image was also the one I liked most because it reminds me of when people make shadow puppets with their hands. I feel as though the other images were not as effective because the idea behind them wasn’t as meaningful and relevant to my theme. Reflecting on them now, I believe the editing could’ve been simpler and also been more effective. As a whole though, I enjoyed this shoot and would like to attempt it again but this time focus on making shadow puppets with hands, possibly more in the style of Russ and Reyn.

Progression

For my next shoot, id like to look at a more early form of photography and experiment more with portraits. The style of photography id like to try is Noir photography. This style of photography uses shadows to hide different parts of a photo or obscure people faces to show mystery and intrigue the viewer. This style began after WW2 and reflects the uncertainty and tension the people of America felt during that time.

shoot 3

shoot 3

For this shoot, I am going to create images in the style of Fred Eerdekens. To do this I am going to bend wire into the shape of different words and then photograph them against a backdrop. I will most likely use a torch to project their shadow onto the card, which should then reveal the word in the wire. I aim to create around 4-6 different words.

Research influence

For this shoot, my artist was Fred Eerdekens. He is a visual artist born in 1951, who studied sculpture and graphic art at provincial higher institute of art and architecture in Hasselt. He later became a professor at the MAD Academy, but then suffered a serious injury in a car accident which stopped his career for four years. He now continues to work as an artist and creates interesting pieces in various different galleries around the world.

Below are some examples of his work

In this photo, the piece of wire says ‘a question you never asked yourself’. This piece was probably made to provoke thought in the viewer of what their question could be. This could also be to make people look at things from a different perspective and think about what they could be missing. The way that this is presented in the shape of the wire could be an example of when you look at somethings shadow instead of the object itself, the different perspective could show you something you may have missed.

In this photo, the wire says, ‘everything in life is a metaphor for everything else’. This is a very blunt and disillusioned way of looking at the world. It gives the impression that things in life are not what they appear to be. This could be describing what people say or thing. What people say, could just be a metaphor for what they actually mean, but don’t say. I like this because it highlights societies view on saying what you really think feel and how people rarely do it.

contact sheets

images that require improvement

I chose this photo because the photo itself is blurred and out of focus. The composition is also an issue as you cant see the rest of the wire on the word ‘cloaks’. If I were to retake this photo, I would change the framing of the camera and try to include the whole words. I would also make sure the camera is in focus and completely still.

refining my photos

When editing the photos for this shoot, I wanted to erase the blue tack I used to support the wire. To do this I firstly used the eye dropper tool to find the right colour, and then used the paint brush tool to cover the blue tack. I then used the spot healing brush to return some of the texture from the background and blend in the painted area. I then used the eye dropper tool and brush again to fill in the shadow that was lost so that the editing was less noticeable. I then increased the brightness and contrast so that the shadow stood out more than the wire.

final outcomes

Evaluation

Things that went well in this shoot were, the wire was easy to bend and shape into words. The editing wasn’t as easy but after trying different things like using different layers and tools, I found an effective way to edit out a certain part of a photo and minimise the changes made to the rest of the photo. This helped me develop my Photoshop skills, which should help with shoots in the future.

During this shoot, the light was difficult to use because it had a very narrow beam, which meant I had to concentrate on holding the torch in exactly the right position, otherwise you would be able to see a curve in the light where the edge of the beam shows. This meant that some of the photos were blurred or framed poorly because my attention was more on the position of the light rather than the camera.

However, if I were to do this shoot again, I would use colour more, as it adds warmth to the photo. I could experiment with different coloured backgrounds and words, maybe find quotes that relate to my theme more or possibly make different shapes of objects with the wire. Id also like to try a different light source, such as a lamp, as it has a more yellow light instead of the harsh white light from a torch.

Progression

  For my next shoot, I would like to look at another artist called Tomas Maly. he changed the shadow of a knight from a chess board, into a rearing horse. This is something id like to experiment with because I really like the idea and would like to use the editing skills I learned from previous shoots to create interesting pieces.

mid project evaluation

mid project evaluation

at the start of the project, i wanted to experiment with different techniques and styles of photography involving shadows. to do this i looked at different artists such as Fred Erdekens, Russ and Reyn and a couple of others. i wanted to use my research and experiments to develop my own style and ideas. this is still my aim for this project and id like to look more at other techniques in Photoshop.

the most successful shoots so far have been the first shoot in the style of Tim noble and sue Webster and fourth, in the style of Tomas Maly. this is because the techniques worked well and i have learnt a lot of skills in Photoshop from trying to edit them. i am also really pleased with the outcomes from these shoots as they reflect the artist but also my own interpretation of their work and the theme in general.

Tomas Maly




Tim Noble and Sue Webster





aspects that id like to improve are the quality of editing and the composition of the images. this is because the framing a lot of them was slanted or out of focus. to fix this id like to use a tripod more and try different compositions. id also like to work with Photoshop and research different techniques that i haven't tried, and would work well with my theme.

to progress, id like to try something completely different, such as making a gif. i have attempted this technique before and it worked relatively well, id like to develop this skill further and create an emotive piece in the style of Ori Gersht. id also like to work more in the studio and use the different lighting available. id also like to experiment more with the shadow puppets shoot. this is because the outcomes from the shoot were effective and id like to develop it further.

work record 2

shoot 2- dancing shadows

for this shoot, i asked a friend to pose in front of a white background. i used a halogen bulb with a reflector as lighting for this shoot as i needed a strong light to cast a visible shadow on the backdrop behind her. i aimed to get around 4-5 good photos from this shoot.

research influence

the inspiration behind this shoot was Russ and Reyn. these are two photographers who have been working together since 2007 and have produced work used in the fashion and creative industry. their work consists of the use of shadows in clever ways to create different scenes.



in this photo there is a lady who looks as though she is cowering/running shadow hand looming over her. the hand in this photo could represent the modern patriarchy or something she fears. the way that the hand is looming over her could be a metaphor for the way that women have been oppressed and treated as objects rather than people in the past.

similar to the photo above, when taking this photo, the photographer probably used a halogen bulb attached to a reflector. the hand in this photo would have been projected by holding the hand i front of the light source and far away from the backdrop.

in this photo, there is a woman who looks as though she is holding onto a shadow hand. this hand could represent many different things, including a person, feeling, object etc. however, this hand could also just be a giant hand with no alternative meaning. it depends on how the viewer interprets it. i like this image because it is a simple concept. but is highly effective as a unique and interesting image.

to produce this photo, it is likely that the photographers used a strong light source such as a halogen bulb with a reflector to create a wider spread of light. to project the giant hand, they would've held the hand close to the light source and far from the backdrop to make it appear larger. the create the illusion of the lady holding onto it, she probably jumped as the photo was being taken so that it captured her in mid air.

contact sheets

For this shoot, I had originally chosen to take photos of the shadow when Sam was in different still poses. This included using props such as a wine glass and a bowler hat. As the shoot went on, we were listening to upbeat music, and Sam started dancing. The shapes that the shadow created were quite interesting so I decided to include Sam in motion as well as posing with various props in the shoot.

Photos that require improvement

This photo requires improvement because the shadow behind Sam isn’t visible, which defeats the objective of the shoot, which was to capture the shadow of Sam. To improve this photo if I were to take it again, I would make sure that the shadow is clearly visible. This could be by changing the angle I take it from or positioning the light differently so that Sam's shadow is projected on the backdrop behind her.

This photo requires improvement because the room isn’t dark enough for the shadow to show, causing it to be too faint. Also, because of the light coming from multiple angles, there are two shadows overlapping each other which makes the outline less distinct. If I were to take this photo again, I would make the room completely dark, and then set up a modelling light and reflector which would give me a strong and wide beam of light.

best images from the shoot

I chose these photos because the shadows in them are clear and they give the impression of who’s casting them. The ones that stand out most from the shoot are the photos where she is dancing because they show her in motion and they reflect the different moves she is making in each frame at different points. I think the choice to show someone in motion made the shoot more interesting as it gives the photos a sense of movement that draws in the eye of the viewer.

refining my images

When editing these photos, I wanted to make the shadow stand out more, and darken the features of sam so that the viewer focused more on the shadow. To start, I opened the raw file and erased the dust particles that had shown up from the lens. Then I converted the file to black and white to enhance the dark shadow on a light background. Then I flattened the image and used the burn tool to darken sam and the shadow. I did the same for all of my edits because it achieved the image that I wanted to create.

final images

Evaluation

overall, I think the shoot went well, I achieved my plans that I had for this shoot and I am please with my final images. One of the things that went especially well with this shoot was the capture of movement when Sam was dancing to the music in the background. The angle that some of the photos were taken at meant that Sam and her shadow look like they're in different poses. I like this because it looks like they're dancing together instead of Sam dancing on her own.

 If I were to change anything about this shoot, I would probably want to try it with a stronger light source so that the shadow is even bolder and clearer. I would also want to try and find a way to link the shoot more to the research influence. This could be by using two models and asking one to interact with the shadow of the other, similar to how Russ and Reyn showed a model interacting with a giant shadow hand.

Progression

For my next shoot, id like to look at another artist that experiments with shadows and investigate the techniques they use in their work. Id like to look at Fred Erdekens, who uses wire to create words that show in the shadow when a light is shone on it at a specific angle.

3000 word essay

an investigation into creating and manipulating shadows

introduction

for my project, i will be investigating shadows and how they can be used as a way of enhancing the contrast, or adding emotion and deeper meaning to a photo. this is because they always seem to be overlooked and just used to add depth to an image, rather than being the main focus. i chose shadows because they are simple to create but can have so much meaning. for example, there could be a man stood with flowers as if he was about to give them to someone, but when the light is at a particular angle, they could look more like a weapon or another sinister object. i also chose shadows because people are typically more comfortable with their shadows than their photos being taken.

A brief history of the use of shadows in photography/cinematography

in the past, shadows have been used as a way of adding drama and mystery to a film/photograph. they were used to distort the faces of actors, hide certain features or focus your attention on a specific area. an example of this is the use of harsh, artificial light in Borris Karloff's Frankenstein (1931). 

in this photo, there is an example of the lighting used during the making of the film and how it affected the perception/appearance of the special effects used for the makeup such as the prosthetic brow and pale face paint. when a harsh light is shone on these features, the shadow causes the monsters eyes to look much more hooded/sunken, which is then exaggerated further by the pale skin of the monster. this is one of many examples of how shadows have been used in the film industry and photography. to create this effect, the crew could have used a form of 'low key lighting'. this is where there is a very bright light directed at a subject without the use of a fill light to make the shadows less harsh. 

in the background of this photo, you can see a studio light with a reflector. this would've been used to project a strong light onto the subject and create shadows that enhance his features, using the reflector as a way of projecting a blanket of light over him.

this effect causes him to appear more menacing, which goes with the overall theme of the movie itself.

1940's-50's Film Noir.

this genre of film was particularly popular during the 40's and 50's in america. the dark shadows and mysterious atmosphere of the photo portrays the fear and uncertainty that the Americans felt after the war. the photo above is a prime example of Noire photography. the subject is sat in a dark area, with a strong light shone at and angle to his face. this enhances the shadows on his face and just highlights enough for him to be visible. his face looks troubled and emotional which is another aspect of Noire photography. the shadows were used as a way of adding elements of danger, mystery and emotion to a scene. whether its to portray someone in a dark state of mind or to show that there is danger hiding in the shadows.

to achieve this, the photographers usually worked at night to make sure they have absolute darkness. this means the light will have more of an effect and create more of a contrast. the light that was typically used was a studio light with a reflector. 

present day

shadows in modern photography are used in a wide variety of ways. for example some photographers use them as a way of adding depth to a picture, such as bringing out the contours of someones face or casting a long shadow behind them so that they appear taller and more intimidating. they're also used as the subject of some peoples work, such as Tomas Maly.

 

this is a prime example of how shadows are used in modern photography. this image was created using Photoshop, which has only been developed in recent years. we can now manipulate and change photos to better show what we are trying to convey through our work. for example, this photo would be almost impossible to create to this standard if someone were to try this 40 years ago. the first photo editing was during 1860, where people would use ink, paint or airbrushes to alter a photo. they could also just stick the photos onto each other. nowadays, we dont have to manually alter a photo when we can just edit it digitally. as of 1990, we can use Photoshop to completely change a photo until the original is almost unrecognisable. 

using shadows in modern photography has also become more possible due to the development of studio lighting. things like modelling lights and LED lights. by using brighter lights, shadows are much more pronounced and easy to create. they have even been used in modern art. for example, sue webster and tim noble have created sculptures of people using rubbish. in the photo below, there is a couple facing away from each other, who look miserable. 

research

Tim Noble and Sue Webster

in this photo, there is a pile of rubbish that when the light hits it, creates a shadow of two people with their backs to each other. one is holding a cigarette and the other is holding what looks like a glass of wine. the thing that i immediately feel when i see this picture is that these two people are at the end of a relationship and are using smoking and alcohol as a way of making themselves feel better. they are sat with their backs to each other but they are leaning against each other. this could suggest that there are still feelings of affection between them but for some unknown reason, the relationship is coming to an end. i like this photo because of the feelings it can provoke from something as simple as a shadow.

similar to the photo above, there are what looks shadows of a man and a woman facing away from each other and leaning. their expressions look like ones of frustration and exasperation. there may be a common theme through these artists's work of heartbreak or the reality of real life relationships as many of their pieces involve a man and a woman close to each other but facing in opposite directions.

Russ and Reyn

this image shows the back of a woman's coat being lifted by a giant shadow hand. the message behind it could be that she is being harassed by the hand. it looks like quite a masculine shadow, compared to one of a woman's hand, which would usually be more dainty and slender. this could link to feminism/patriarchy and how women have been seen more as objects to be looked at than as people.



this photo shows a woman stood next to a dog shadow puppet. she has her arm out as if she is petting it. this image includes a clever detail in the way that the leash is suspended in mid air as if it was attached to the dog. this obviously is impossibly as a shadow isn't a physical object. there may be a hook on the wall or a piece of string attached to keep it suspended. i like this image because it is simple at first as it just looks like a lady pretending to pet a shadow dog. but as you look closer, the small detail of the leash adds subtle sophistication to the photo.

Fred Eerdekens



this photo shows a piece of wire that has been bent in a way that projects a shadow when a light is shone at a certain angle. it says "everything in life is a metaphor for everything else". i like this piece because it is a very blunt way of looking at the world but it makes perfect sense. it means everything can be related in someway to everything else. if you try hard enough, you can relate to almost anything. it could also mean that true messages get lost in what people decide to project around them. what they're saying is a metaphor for something else. the use of the bent wire is especially important in this one because it looks like a tangled mess from the front but when you look at its shadow, it makes perfect sense.



the wire in this photo says "we are strangers in utopia". this could be interpreted as someone saying, when were in a good place, mentally or physically, we tend to forget about each other and only pay attention to what were feeling. i like this phrase as it looks at how we think but may not realise it. it shines a light on how easily humans can become unintentionally selfish and disregard other. the fact that this was written in a wire and can only be read by looking at its shadow could signify how its hidden from our immediate thoughts, but subconsciously, it is plausible and definitely something most people have experienced.

relevance of photographer research

from my research, i have produced some pieces of work relating to the photographers i have looked at during this project
. this could either be from technique or through their use of shadows. here are some examples, and how they relate to my chosen photographers.

Fred Eerdekens

This photo relates to Eerdekens though the technique i have used, but has been adapted slightly to relate to my theme. in his work, he used wire that has been bent in a specific shape, so that when a light is directed at it, it reveals a sentence or question written in the shadow. i wanted to try this technique as i was still experimenting with different ideas and for my shoots, and trying to decide what direction I wanted my work to take. this particular technique looked interesting and expressive, which is something that i would like to reflect in my work. 

with my theme being shadows, this technique fit into it well, and showed me another different way of using them as the main element in a photograph. although i dont think ill be pursuing this idea further, it was still an interesting experiment, that helped me develop my skills in other areas such as Photoshop.



this photo relates to the genre of photography known as Film Noire Photography. this style is easily recognisable from the highly contrasted black and white images and dramatic lighting. for this shoot, i used low key lighting in the form of a studio light with a snoot to create a strong and direct light. i also used a black background and made sure there were no other light sources in the room. this style links to my theme as it uses shadows as a way of manipulating what the viewer sees in the photo, and gives it more of a mysterious atmosphere. this links back to my research on Film Noire, and how the use of shadows created an atmosphere similar to how people were feeling during the time the genre became popular, such as feelings of mystery and uncertainty.

this image was created as a response to Tomas Maly. i had found an image of his while i was researching the theme, and it stood out to me as a very interesting concept. although there wasn't a lot of background information about the source of the photo, i wanted to explore it further and experiment with my own interpretation of the idea. this led me to create the image above. it depicts someone doing a shadow puppet of a gun, with the shadow of a real gun behind it. the photo that inspired me for this an image of a knight chess piece, with the shadow of a rearing horse with wings behind it. the shadows in these images are supposed to represent what the object in front symbolises. in the pieces i made, this could be interpreted as a comparison between a child's point of view against an adults point of view.  this relates to my theme as a way of shadows being used to represent the meaning of something in a more subtle way.

the future

in the future, i see shadows being used as a way of adding more emotion and hidden meanings to a photo. this is because they can be subtle and easily manipulated, which means more and more aspiring photographers are able to use them to show what they want portray through a photograph. this could be an emotion, a hidden meaning/motive or even just a way of adding drama and contrast to a photo. more and more photo editing software is being developed, and due to companies changing the way that they market the software, it is becoming increasingly accessible to the general public. previously, the entire program had to be purchased by means of a one off payment. now it is billed monthly, which makes the cost more manageable for people like students or anyone on a limited income.the software is also being regularly updated with new features, meaning the creative possibilities are endless.

conclusion

from my research and shoots i have completed so far, i have learnt different techniques and found inspiration from the different photographers and pieces of work. to take this project further, i am going to continue to use the GIF as a technique. this is because the technique was effective and there are a lot of different ideas that i could pursue with it. id like to mix the technique with the theme of shadow play.